%% Generated by lilypond-book.py
%% Options: [alt=[image of music],printfilename,indent=0\mm,texidoc,line-width=160\mm]
\include "lilypond-book-preamble.ly"


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% Start cut-&-pastable-section
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\paper {
  #(define dump-extents #t)
  
  indent = 0\mm
  line-width = 160\mm
  force-assignment = #""
  line-width = #(- line-width (* mm  3.000000))
}

\layout {
  
}



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% ly snippet:
% ****************************************************************
\sourcefilename "/home/lilydev/vc/gub/target/linux-x86/src/lilypond-localhost--home-lilydev-vc-lilypond-master/input/regression/breathing-sign-ancient.ly"
\sourcefileline 0
\version "2.12.0"

\header{
  texidoc="
Gregorian chant notation sometimes also uses commas and ticks, but in
smaller font size (we call it 'virgula' and 'caesura').  However, the
most common breathing signs are divisio minima/maior/maxima and
finalis, the latter three looking similar to bar glyphs.

" }

\include "gregorian.ly"

\context VaticanaStaff {
  \relative c' {
    % here is no \breathe
    c g c

    % \virgula applies rcomma, but in a smaller font
    c \virgula g c

    % \caesura applies rvarcomma, but in a smaller font
    c \caesura g c

    % \divisioMinima is a simple vertical stroke through the
    % uppermost staffline, just like the original implementation
    % of breathing signs.
    c \divisioMinima g c

    % \divisioMaior, \divisioMaxima and \finalis look like bars and
    % are vertically centered on the staff; the direction property
    % has no effect
    c \divisioMaior g c
    c \divisioMaxima g c

    % this one looks almost like a "||" type bar
    \finalis
  }
}



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% end ly snippet
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