%% Generated by lilypond-book.py %% Options: [alt=[image of music],printfilename,indent=0\mm,texidoc,line-width=160\mm] \include "lilypond-book-preamble.ly" % **************************************************************** % Start cut-&-pastable-section % **************************************************************** \paper { #(define dump-extents #t) indent = 0\mm line-width = 160\mm force-assignment = #"" line-width = #(- line-width (* mm 3.000000)) } \layout { } % **************************************************************** % ly snippet: % **************************************************************** \sourcefilename "out-www/71c-ChordsFrets.ly" \sourcefileline 0 \version "2.12.2" % automatically converted from /home/lilydev/vc/gub/target/linux-x86/src/lilypond-localhost--home-lilydev-vc-lilypond-master/input/regression/musicxml/71c-ChordsFrets.xml \header { texidoc = "A staff with chord names and some fretboards shown. The fretboards can have an arbitrary number of frets/strings, can start at an arbitrary fret and can even contain fingering information." } \layout { \context { \Score autoBeaming = ##f } } PartPOneVoiceOne = \relative a' { \clef "treble" \key c \major \time 4/4 | % 1 a4 ^\markup { \fret-diagram #"6-o;5-3;4-2;3-o;2-1;1-o;" } a4 ^\markup { \fret-diagram #"6-o;5-3;4-5;3-4;2-5;1-2;" } a4 ^\markup { \fret-diagram #"6-o;5-2;4-1;3-2;2-3;1-3;" } a4 ^\markup { \fret-diagram #"h:5;6-11;5-13;4-15;3-12;2-11;1-11;" } | % 2 | % 2 a4 ^\markup { \fret-diagram #"6-3;5-5;4-5;3-3;2-3;1-3;" } a4 ^\markup { \fret-diagram #"6-o;5-o;4-1;3-3;2-3;1-3;" } a4 ^\markup { \fret-diagram #"6-o;5-o;4-1;3-2;2-1;1-2;" } a4 ^\markup { \fret-diagram #"f:1;w:10;h:3;10-1-2;9-3;7-1-4;5-3;4-2;3-1-5;2-o;1-o;" } \bar "|." } PartPOneVoiceOneChords = \chordmode { | % 1 c4:5 c4:maj7.11+ b4:7.5+.9+ es4:5.2 | % 2 | % 2 g4:m5 dis4:maj7 a4:dim7 c4:5 } % The score definition \new Staff << \context ChordNames = "PartPOneVoiceOneChords" \PartPOneVoiceOneChords \context Staff << \context Voice = "PartPOneVoiceOne" { \PartPOneVoiceOne } >> >> % **************************************************************** % end ly snippet % ****************************************************************